A list of courses organised by semester and the allocation of skill instruction within each course: instructional levels I, T, U, and the required competency level for the course by skill level
Course–Learning Outcomes Matrix – Literature Major
|
Semester |
Course |
Level | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1.1 | 1.2 | 2.1 | 2.2 | 3.1 | |||||||||||
| 1.1.1 | 1.2.1 | 1.2.2 | 1.2.3 | 1.2.4 | 1.2.5 | 1.2.6 | 2.1.1 | 2.2.1 | 2.2.2 | 3.1.1 | 3.1.2 | 3.1.3 | |||
| I | Fundamentals of Marxism -Leninism | 3 | 2 | 2 | 2 | ||||||||||
| History of the Communist Party of Vietnam | 3 | 2 | 3 | 2 | |||||||||||
| Introduction to Linguistics | 3 | 2 | 2 | ||||||||||||
| Basic Classical Chinese | 3 | 2 | 2 | ||||||||||||
| Foundation of the Vietnamese Culture | 3 | 2 | 3 | 2 | |||||||||||
| General Aesthetics | 3 | 2 | 2 | ||||||||||||
| Statistics in Social Sciences | 3 | 2 | 2 | ||||||||||||
| II | Marxist-Leninist Political Economy | 3 | 2 | 2 | |||||||||||
| Science Socialism | 3 | 2 | 2 | ||||||||||||
| Research Methodology | 3 | 2 | 3 | 3 | 3 | ||||||||||
| Nom Writing | 3 | 2 | 2 | ||||||||||||
| Vietnamese Composing | 3 | 2 | 2 | ||||||||||||
| Vietnamese Phonetics | 3 | 2 | 2 | ||||||||||||
| III | Ho Chi Minh Ideology | 3 | 2 | 2 | |||||||||||
| Basics of Laws | 3 | 2 | 2 | ||||||||||||
| History of World Civilisation | 3 | 2 | 2 | ||||||||||||
| Vietnamese Vocabulary | 3 | 2 | |||||||||||||
| Advanced Classical Chinese and Nom | 3 | 2 | 2 | ||||||||||||
| IV | Vietnamese Grammar | 3 | 2 | 2 | |||||||||||
| Principles of Literary Theory | 3 | 2 | 3 | 2 | 3 | ||||||||||
| Vietnamese Folk Literature | 3 | 3 | 3 | 3 | 2 | 3 | |||||||||
| Vietnamese Classical Literature 1 (from the 10th to the 17th Century) | 3 | 3 | 3 | 3 | |||||||||||
| Western European Literature 1 (from the Antiquity to the 17th Century) | 3 | 2 | 3 | 4 | |||||||||||
| Chinese Literature | 3 | 2 | 3 | 3 | 2 | 3 | |||||||||
| Introduction to Art Studies | 2 | 2 | 3 | 3 | 2 | 3 | |||||||||
| V | Vietnamese Stylistics | 3 | 2 | 3 | 2 | 2 | |||||||||
| Literary Works and Literary Generes | 3 | 2 | 3 | 2 | 3 | ||||||||||
| Vietnamese Classical Literature 2 (from the 18th to 19th Century) | 4 | 3 | 3 | 3 | 2 | 2 | |||||||||
| Vietnamese Modern Literature 1 (1900-1945) | 4 | 3 | 3 | 3 | 2 | 3 | |||||||||
| Western European Literature 2 (from the 18th to the 20th Century) | 4 | 2 | 3 | 4 | 2 | 2 | |||||||||
| Japanese and Korean Literature | 3 | 2 | 3 | 3 | 2 | 2 | |||||||||
| Culture of Southern Vietnam | 2 | 3 | 2 | 2 | |||||||||||
| VI | Literature Process | 4 | 3 | 3 | 3 | 2 | 2 | ||||||||
| Methods and Methodology in Literature Criticism | 4 | 3 | 3 | 3 | 2 | 2 | |||||||||
| Modern Vietnamese Literature 2 (1945-present) | 4 | 3 | 4 | 4 | |||||||||||
| Russian-Slavic Literature | 4 | 2 | 3 | 3 | 2 | 2 | |||||||||
| Indian and Southeast Asian Literatures | 4 | 2 | 3 | 3 | 2 | 2 | |||||||||
| Fieldwork Practice | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | ||||
| Near and Middle Eastern Literatures | 3 | 2 | 3 | 3 | 2 | 2 | |||||||||
| Introduction to Literary Studies (instructed in English) | 3 | 3 | 3 | 4 | |||||||||||
| VII | American Literature | 4 | 2 | 3 | 2 | 2 | |||||||||
| Introduction to comparative literature | 3 | 2 | 3 | 2 | 2 | ||||||||||
| Modern Vietnamese Literary Criticism | 3 | 3 | 3 | 2 | 2 | ||||||||||
| Methods for Teaching Literature | 3 | 4 | 2 | 3 | 3 | 4 | 3 | 2 | |||||||
| VIII | Undergraduate Thesis | 4 | 4 | 4 | 4 | 2 | |||||||||
| Internship | 4 | 4 | 4 | 4 | 3 | 2 | |||||||||
| Secretarial Skills | 3 | 3 | 2 | 3 | 3 | 3 | |||||||||
| Introduction to Theatre Studies | 3 | 2 | 3 | 3 | |||||||||||
| Introduction to Film Studies | 3 | 2 | 3 | 4 | |||||||||||
| Short Stories and Novel Appreciation and Composition | 3 | 2 | 3 | 2 | |||||||||||
| Media Scripting Practice 1 | 3 | 2 | 3 | 2 | |||||||||||
Course–Learning Outcomes Matrix – Sino-Nom Linguistics and Literature Major
|
Semester |
Course |
Level | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1.1 | 1.2 | 2.1 | 2.2 | 3.1 | ||||||||||
| 1.1.1 | 1.2.1 | 1.2.2 | 1.2.3 | 1.2.4 | 1.2.5 | 1.2.6 | 2.1.1 | 2.2.1 | 2.2.2 | 3.1.1 | 3.1.2 | 3.1.3 | ||
| I | Fundamentals of Marxism -Leninism | 3 | 3 | |||||||||||
| History of the Communist Party of Vietnam | 3 | |||||||||||||
| Introduction to Linguistics | 3 | |||||||||||||
| Basic Classical Chinese | 3 | 4 | 3 | |||||||||||
| Foundation of the Vietnamese Culture | 3 | 3 | 3 | |||||||||||
| General Aesthetics | 3 | 3 | ||||||||||||
II |
Marxist-Leninist Political Economy | 3 | ||||||||||||
| Science Socialism | 3 | |||||||||||||
| Research Methodology | 3 | 3 | ||||||||||||
| Nom Writing | 3 | 4 | 3 | |||||||||||
| Vietnamese Composing | 3 | 3 | ||||||||||||
| Vietnamese Phonetics | 3 | 3 | ||||||||||||
| III | Ho Chi Minh Ideology | 3 | ||||||||||||
| Basics of Law | 3 | |||||||||||||
| Vietnamese Vocabulary | 3 | 3 | ||||||||||||
| Vietnamese Grammar | 4 | 3 | ||||||||||||
| Advanced Classical Chinese and Nom | 4 | 4 | 4 | 3 | ||||||||||
| Sino-Nom Calligraphy | 3 | 4 | 3 | |||||||||||
| IV | Principles of Literary Theory | 3 | ||||||||||||
| Introduction to Vietnamese Folk Literature | 3 | 3 | ||||||||||||
| Introduction to Vietnamese Classical Literature | 3 | 3 | 3 | |||||||||||
| Introduction to Vietnamese Modern Literature | 3 | 3 | ||||||||||||
| Chinese Literature in the Pre-Qin Period and the Han | 4 | 4 | 3 | |||||||||||
| Modern Chinese 1 | 3 | 3 | 3 | 3 | ||||||||||
| Modern Chinese 2 | 3 | 3 | 3 | 3 | ||||||||||
| V | Sino-charactered Literature in the Ly-Tran Dynasties | 3 | 3 | 3 | 3 | |||||||||
| Sino-charactered Literature in the Le-Nguyen Dynasties | 4 | 3 | 3 | 3 | ||||||||||
| Sino-Nom Character Studies | 3 | 4 | 3 | 3 | ||||||||||
| Classical Chinese Grammar | 3 | 3 | 3 | 3 | ||||||||||
| Sino-Nom Phonology | 3 | 3 | 3 | 3 | ||||||||||
| Modern Chinese 3 | 3 | 3 | 3 | |||||||||||
| Modern Chinese 4 | 3 | 3 | 3 | |||||||||||
VI |
Sino-Nom Textual Studies | 4 | 3 | 3 | ||||||||||
| Confucianism, Buddhism and Taoism | 3 | 3 | 3 | |||||||||||
| The Eight Great Writers of the Tang-Song Dynasties | 3 | 3 | 3 | |||||||||||
| Modern Chinese 5 | 4 | 3 | 3 | |||||||||||
| Modern Chinese 6 | 4 | 3 | 3 | |||||||||||
| Approaching Types of Sino-Nom Texts | 4 | 3 | ||||||||||||
| Fieldwork Practice | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | |||
| VII | The Four Books | 3 | 3 | |||||||||||
| Tang’s Poetry | 3 | 3 | ||||||||||||
| Introduction to Chinese Literature | 4 | 3 | ||||||||||||
| Modern Chinese 7 | 4 | 4 | 3 | 4 | ||||||||||
| Modern Chinese 8 | 4 | 4 | 4 | 4 | ||||||||||
| Chinese Literature in the Ming-Ching Dynasties | 3 | 3 | ||||||||||||
| Advanced Chinese Conversation | 4 | 4 | 4 | |||||||||||
| Chinese for Tourism | 4 | 4 | 3 | 4 | ||||||||||
| Chinese for Office Use | 4 | 4 | 3 | 4 | ||||||||||
| History of Examinations and Mandarinates in Imperial Vietnam | 3 | |||||||||||||
| VIII | Undergraduate Thesis | 4 | 4 | 4 | 4 | |||||||||
| Internship | 3 | 3 | 4 | 3 | ||||||||||
| Chinese for Journalism | 4 | 4 | 3 | |||||||||||
| Chinese for Commerce | 4 | 4 | 4 | |||||||||||
| Techniques of Restoring Sino-Nom Materials | 3 | 4 | ||||||||||||
| Genres of Vietnamese and Chinese Classical Literatures | 3 | |||||||||||||
| Oriental Literature | 4 | |||||||||||||
Course–Learning Outcomes Matrix – Screen Writing for Film and Television Major
|
Semester |
Course |
Level | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1.1 | 1.2 | 2.1 | 2.2 | 3.1 | ||||||||||
| 1.1.1 | 1.2.1 | 1.2.2 | 1.2.3 | 1.2.4 | 1.2.5 | 1.2.6 | 2.1.1 | 2.2.1 | 2.2.2 | 3.1.1 | 3.1.2 | 3.2.1 | ||
| I | Fundamentals of Marxism -Leninism | 3 | 3 | |||||||||||
|
History of the Communist Party of Vietnam |
3 | 3 | ||||||||||||
| Introduction to Linguistics | 3 | |||||||||||||
| Basic Classical Chinese | 3 | |||||||||||||
| Foundation of the Vietnamese Culture | 3 | 3 | ||||||||||||
| General Aesthetics | 3 | |||||||||||||
| Statistics in Social Sciences | 3 | |||||||||||||
| II | Marxist-Leninist Political Economy | 3 | 3 | |||||||||||
| Science Socialism | 3 | |||||||||||||
| Research Methodology | 3 | |||||||||||||
| Nom Writing | 3 | |||||||||||||
| Vietnamese Composing | 3 | |||||||||||||
| Vietnamese Phonetics | 3 | |||||||||||||
| III | Ho Chi Minh Ideology | 3 | ||||||||||||
| Basics of Law | 3 | |||||||||||||
| History of World Civilisation | 3 | |||||||||||||
| Vietnamese Vocabulary | 3 | |||||||||||||
| Vietnamese Grammar | 3 | |||||||||||||
| Advanced Classical Chinese and Nom | 3 | |||||||||||||
| Principles of Literature Theory | 3 | 3 | 3 | |||||||||||
| Introduction to Vietnamese Folk Literature | 3 | 3 | 4 | 3 | ||||||||||
| Introduction to Vietnamese Classical Literature | 3 | 3 | 4 | 3 | ||||||||||
| Introduction to Vietnamese Modern Literature | 4 | 3 | 4 | 3 | ||||||||||
| IV | Western European Literature 1 (from the Antiquity to the 17th Century) | 3 | 3 | 4 | 3 | |||||||||
| History of Vietnamese Cinema | 3 | 3 | 4 | 4 | 3 | |||||||||
| History of World Cinema | 3 | 3 | 4 | 4 | 3 | |||||||||
| Film Analysing | 3 | 3 | 4 | 4 | 4 | 3 | 3 | |||||||
| Short-films Scriptwriting | 3 | 4 | 4 | 4 | 4 | 4 | 3 | 3 | ||||||
| Film Script Analysing | 3 | 4 | 3 | 4 | 4 | 4 | 3 | 3 | ||||||
| Film Criticism | 3 | 3 | 4 | 4 | 4 | 3 | 3 | |||||||
| Psychology of Creative Art | 3 | 3 | 3 | |||||||||||
| Introduction to Public Relations | 3 | 3 | 4 | 3 | ||||||||||
| Psychology of Communication | 3 | 3 | ||||||||||||
| V | Western European Literature 2 (from the 18th to the 20th Century) | 4 | 3 | 4 | 3 | |||||||||
| Visual Artworks Analysing | 3 | 3 | 4 | 3 | ||||||||||
| Screenwriting | 3 | 4 | 3 | 4 | 4 | 4 | 4 | 3 | ||||||
| Advertising and MV Screenwriting | 3 | 4 | 3 | 4 | 4 | 4 | 4 | 3 | ||||||
| Media Scripting Practice 1 | 3 | 3 | 4 | 3 | ||||||||||
| Poetry Appreciation and Composition | 3 | 3 | 3 | |||||||||||
| Introduction to Theatre Studies | 3 | 4 | 4 | 3 | 3 | |||||||||
| Sociology of Mass Communication | 3 | 3 | ||||||||||||
| Event Organising | 3 | 4 | 4 | 3 | ||||||||||
| VI | Introduction to Russian Literature and Cinema | 3 | 3 | 3 | 3 | |||||||||
| Introduction to Chinese Literature and Cinema | 3 | 3 | 3 | 3 | ||||||||||
| Introduction to Japanese and Korean Literature and Cinema | 3 | 3 | 3 | 3 | ||||||||||
| Film Acting | 3 | 4 | 3 | 4 | 3 | |||||||||
| Film Directing | 3 | 4 | 3 | 4 | 3 | |||||||||
| Documentary Screenwriting | 3 | 4 | 4 | 4 | 4 | 4 | ||||||||
| TV-theatre Screenwriting | 3 | 3 | 4 | 4 | 4 | 4 | ||||||||
| Playwright | 3 | 3 | 4 | 4 | 4 | 4 | ||||||||
| Short Stories and Novel Appreciation and Composition | 3 | 4 | ||||||||||||
| Broadcast Programmes Production | 3 | 3 | 4 | 4 | ||||||||||
| Advertising | 3 | 3 | 4 | |||||||||||
| VII | Internship | 3 | 4 | 4 | 4 | 4 | 4 | |||||||
| Film Cinematography and Editing | 3 | 3 | 4 | 4 | 3 | |||||||||
| Film Production | 3 | 3 | 4 | 4 | 4 | 4 | 4 | 4 | ||||||
| TV-drama Screenwriting | 3 | 4 | 4 | 4 | 4 | 4 | 4 | |||||||
| TV Programmes Screenwriting | 3 | 4 | 4 | 4 | 4 | 4 | ||||||||
| Contemporary Literary Works Analysing 1 | 3 | 3 | ||||||||||||
| Reception and Memoir Writing | 3 | |||||||||||||
| Media Scripting Practice 2 | 3 | 3 | 4 | |||||||||||
| VIII | Graduation Thesis | 3 | 4 | 4 | 4 | 4 | ||||||||
| Literary Editing | 3 | 3 | 3 | 4 | ||||||||||
| Literary Criticism | 3 | 3 | ||||||||||||
| Drama Criticism | 3 | 4 | ||||||||||||
| Business Communication | 3 | 3 | ||||||||||||